Verges
The following resources have been found for this character in the Will’s World Registry
Title: Much Ado About Nothing, Act IV, Scene II / Shakespeare Gallery (Click to view)
Description: Inscription Content: Lettered in open scratched letters below the image "Shakspeare.", and "Smirk. pinxit. Publish'd June 1st: 1790, by J.&J. Boydell, Cheapside, & at the Shakspeare Gallery, Pall Mall, London. Ogborne Sculpsit.". Constables Dogberry and Verges sit on a dias, looking pompous, while the clerk Seacoal takes notes in the foreground on a low stool, all fixing their attentions on Borachio and Conrade who stand on the right, guarded by a man with a pike, while another tightens the knots binding their hands; etched state before full lettering. 1790 British stipple British Printmakers XVIIIc Plan Press Prints & Drawings
(credits: The British Museum)
Title: Shakespeare Gallery / Much Ado About Nothing, Act IV, Scene II (Click to view)
Description: Inscription Content: Lettered below the image with "Shakspeare.", title, line from scene, production detail: "Painted by Robt. Smirke", "Engrav'd by Jno. Ogborne" and publication line: "Publish'd March 1st. 1791 by John & Josiah Boydell, at the Shakspeare Gallery Pall Mall, & at No. 90 Cheapside" Constables Dogberry and Verges sit on a dias, looking pompous, while the clerk Seacoal takes notes in the foreground on a low stool, all fixing their attentions on Borachio and Conrade who stand on the right, guarded by a man with a pike, while another tightens the knots binding their hands. 1791 British stipple British Printmakers XVIIIc Plan Press Prints & Drawings
(credits: The British Museum)
Title: Macklin’s Shakespeare Gallery / Dogberry and Verges with the Watch (Click to view)
Description: Inscription Content: Lettered below image with title, note on the drawing (in the collection of the Duchess of York) and lines from the play: "Dog. Are you good Men and true? Ver. Yea, or else it were pity but they should suffer Salvation, body and soul. Dog. Nay that were a punishment too good for them, If they should have any alegiance in them, being chosen for the Prince's watch. Ver. Well give them their charge, neighbour Dogbery. Dog. First, who think you the most disartless man to be constable? 1st Watch, Hugh Oatcake, sir, or George Seacoal; for they can write and read. Dog. Come hither, neighbour Seacoal; God hath blessed you with a good name: to be a well-favored man is the gift of fortune; but to write and read comes by nature." , with production detail: "H. Bunbury Esqr. delt.", "R.M.Meadows Sculpt." and publication line: "London, Publish'd Jany. 1st. 1793, by Thos. Macklin, Poets Gallery, Fleet Street." A gang of men with staffs standing in a street, one standing apart at left, a dog in the foreground and domed building behind; after Bunbury. 1793 British colour etching hand-coloured stipple British XVIIIc Unmounted Portfolio Prints & Drawings
(credits: The British Museum)
Verges has been played by the actors listed below. The data is taken from the ‘Designing Shakespeare’ project which focuses on performances in London, UK. Details of the relevant performance are given here, and linked to the full record at the Designing Shakespeare site which usually includes images of the production.
- Arnold Yarrow (Alexander/Surrey, Royal Shakespeare Company, April 1991 (7 images))
- Arnold Yarrow (Alexander/Surrey, Royal Shakespeare Theatre, April 1990 (7 images))
- Norman Tyrrell (Barton/Napier, Royal Shakespeare Company, April 1976 (6 images))
- Norman Tyrrell (Barton/Napier, Royal Shakespeare Company, June 1977 (6 images))
- Toby Longworth (Boyd/Piper, Royal Shakespeare Company, February 1998)
- Toby Longworth (Boyd/Piper, Royal Shakespeare Company, November 1996 (8 images))
- Ian Lindsay (Conville/Goodchild, New Shakespeare Company, July 1980)
- Richard Goolden (Conville/Surrey, New Shakespeare Company, July 1970 (3 images))
- John Rogan (Davies/Dyer, Royal Shakespeare Company, January 1980)
- Edward Jewesbury (Dench/Tiramani, Renaissance Theatre Company, August 1988 (3 images))
- Sam Beazley (Donnellan/Ormerod, Cheek By Jowl, June 1998 (5 images))
- Hugh Hastings (Dunlop/Toms, Young Vic, December 1973)
- Jimmy Thompson (Dunlop/Toms, Young Vic, June 1974)
- Leonard Fenton (Gill/Chitty, National Theatre, August 1981 (12 images))
- Jimmy Gardner (Hands/Koltai, Royal Shakespeare Company, April 1982 (7 images))
- Jimmy Gardner (Hands/Koltai, Royal Shakespeare Company, May 1983 (7 images))
- John Conroy (Kavanaugh/Surrey, New Shakespeare Company, June 2000 (4 images))
- Clifford Rose (Langham/Heeley, Royal Shakespeare Company, April 1961 (4 images))
- Geoffrey Wright (Moshinsky/Thompson, Triumph Theatre Productions, May 1989 (4 images))
- Richard Simpson (Nunn/Morley, Royal Shakespeare Company, July 1969)
- Clifford Rose (Nunn/Morley, Royal Shakespeare Company, October 1968 (6 images))
- Harry Waters (Posner/McGowen, New Shakespeare Company, May 1990)
- Ian Lindsay (Talbot/Goodchild, New Shakespeare Company, June 1981)
- Jeffrey Segal (Trevis/Thompson, Royal Shakespeare Company, April 1988 (7 images))
- Brian Shelley (Warchus/Warmington, Hysterico Passio, July 1993 (5 images))
- James Ottaway (William/Bardon, New Shakespeare Company, June 1963)
- Malcolm Reynalds (Zeffirelli/Zeffirelli, National Theatre, August 1966)
- Michael Rothwell (Zeffirelli/Zeffirelli, National Theatre, February 1965)
- Malcolm Reynalds (Zeffirelli/Zeffirelli, National Theatre, March 1967)