{"id":3285,"date":"2012-12-12T11:58:05","date_gmt":"2012-12-12T11:58:05","guid":{"rendered":"http:\/\/demonstrators.ostephens.com\/willhack\/dogberry\/"},"modified":"2012-12-12T11:58:05","modified_gmt":"2012-12-12T11:58:05","slug":"dogberry","status":"publish","type":"page","link":"http:\/\/demonstrators.ostephens.com\/willhack\/dogberry\/","title":{"rendered":"Dogberry"},"content":{"rendered":"<div id='ww'>\n<p>The following resources have been found for this character in the Will&#8217;s World Registry<\/p>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00388\/AN00388635_001_m.jpg\" alt=\"Illustrations to Shakespeare\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=1575201&#038;partid=1\">Illustrations to Shakespeare<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered with reference to play, artist&#39;s name, and publication line &quot;London Published by Wm S Orr &amp; Co April 1845&quot;<\/inscriptions>      <description>Much ado about Nothing, Act 3 Scene 3: Dogberry and the Watch. 1845<\/description>      <schools_styles>British<\/schools_styles>      <techniques>etching<\/techniques>      <location>British XIXc Mounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN01220\/AN01220759_001_m.jpg\" alt=\"print \/ book-illustration\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3420369&#038;partid=1\">print \/ book-illustration<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Inscribed in graphite below image with artists&#39; names and title of the play.<\/inscriptions>      <description>Outraged Dogberry at left, attacking Conrade, standing at right among his friends who try to pull him away; proof illustration to Shakespeare&#39;s &#39;Much Ado about Nothing&#39; (Act IV Scene 2); cut and inlaid; after Robert Smirke; proof before letters.<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.culturegrid.org.uk\/dpp\/resource\/1541306\/stream\/thumbnail_image_jpeg\" alt=\"Shakespeare Farmhouse,  Grendon Underwood, Buckinghamshire\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/viewfinder.english-heritage.org.uk\/search\/detail.asp?calledFrom=oai&#038;imageUID=84573\">Shakespeare Farmhouse,  Grendon Underwood, Buckinghamshire<\/a> (Click to view)<br \/><strong>Description<\/strong>: The name of this farmhouse came from it&#8217;s former existence as an Inn on the London to Stratford-on-Avon road. A local story is that Shakespeare stayed overnight here and conceived the character Constable Dogberry for   Much Ado about Nothing .<br \/>(credits: English Heritage, CultureGrid)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.culturegrid.org.uk\/dpp\/resource\/1541717\/stream\/thumbnail_image_jpeg\" alt=\"Shakespeare Farmhouse,  Grendon Underwood, Buckinghamshire\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/viewfinder.english-heritage.org.uk\/search\/detail.asp?calledFrom=oai&#038;imageUID=84984\">Shakespeare Farmhouse,  Grendon Underwood, Buckinghamshire<\/a> (Click to view)<br \/><strong>Description<\/strong>: The farmhouse was once an inn on the main road from London to Stratford-on-Avon. A local story suggests that Shakespeare stayed overnight here and thought up the character of Constable Dogberry in  Much Ado about Nothing .<br \/>(credits: English Heritage, CultureGrid)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN01019\/AN01019828_001_m.jpg\" alt=\"print \/ book-illustration\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3376873&#038;partid=1\">print \/ book-illustration<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: With lightly engraved lettering &#39;Painted by Smirke \/ Publish&#39;d May 1, 1790 by John &amp; Josiah Boydell, Cheapside, &amp; at the Shakspeare Gallery, Pall Mall \/ Aquafortis by Jas. Heath&#39;<\/inscriptions>      <description>Illustration to Shakespeare&#39;s &#39;Much ado about nothing&#39; from the small edition by Boydell, group scene with Dogberry sitting in judgement stating &#39;You shall be condemend to everlasting redemption&#39;. 1790<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XVIIIc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN01220\/AN01220752_001_m.jpg\" alt=\"print \/ book-illustration\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3420364&#038;partid=1\">print \/ book-illustration<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Inscribed in graphite below image with artists&#39; names, title of the play, and below with play script from Act IV Scene 3, erroneously stating &#39;Act 5 &#8211; Sc 5:&#39;.Verso inscribed in pen and ink: &#39;R Balmanno&#39;.<\/inscriptions>      <description>Outraged Dogberry at left, attacking Conrade, standing at right among his friends who try to pull him away; proof illustration to Shakespeare&#39;s &#39;Much Ado about Nothing&#39; (Act IV Scene 2); after Robert Smirke; proof before letters.<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=1597445&#038;partid=1\">Much Ado About Nothing, Act IV, Scene II \/ Shakespeare Gallery<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered in open scratched letters below the image &quot;Shakspeare.&quot;, and &quot;Smirk. pinxit. Publish&#39;d June 1st: 1790, by J.&amp;J. Boydell, Cheapside, &amp; at the Shakspeare Gallery, Pall Mall, London. Ogborne Sculpsit.&quot;.<\/inscriptions>      <description>Constables Dogberry and Verges sit on a dias, looking pompous, while the clerk Seacoal takes notes in the foreground on a low stool, all fixing their attentions on Borachio and Conrade who stand on the right, guarded by a man with a pike, while another tightens the knots binding their hands; etched state before full lettering. 1790<\/description>      <schools_styles>British<\/schools_styles>      <techniques>stipple<\/techniques>      <location>British Printmakers XVIIIc Plan Press<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3123438&#038;partid=1\">Shakespeare Gallery \/ Much Ado About Nothing, Act IV, Scene II<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below the image with &quot;Shakspeare.&quot;, title, line from scene, production detail: &quot;Painted by Robt. Smirke&quot;, &quot;Engrav&#39;d by Jno. Ogborne&quot; and publication line: &quot;Publish&#39;d March 1st. 1791 by John &amp; Josiah Boydell, at the Shakspeare Gallery Pall Mall, &amp; at No. 90 Cheapside&quot;<\/inscriptions>      <description>Constables Dogberry and Verges sit on a dias, looking pompous, while the clerk Seacoal takes notes in the foreground on a low stool, all fixing their attentions on Borachio and Conrade who stand on the right, guarded by a man with a pike, while another tightens the knots binding their hands. 1791<\/description>      <schools_styles>British<\/schools_styles>      <techniques>stipple<\/techniques>      <location>British Printmakers XVIIIc Plan Press<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=1671067&#038;partid=1\">Macklin&#8217;s Shakespeare Gallery \/ Dogberry and Verges with the Watch<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with title, note on the drawing (in the collection of the Duchess of York) and lines from the play: &quot;Dog. Are you good Men and true? Ver. Yea, or else it were pity but they should suffer Salvation, body and soul. Dog. Nay that were a punishment too good for them, If they should have any alegiance in them, being chosen for the Prince&#39;s watch. Ver. Well give them their charge, neighbour Dogbery. Dog. First, who think you the most disartless man to be constable? 1st Watch, Hugh Oatcake, sir, or George Seacoal; for they can write and read. Dog. Come hither, neighbour Seacoal; God hath blessed you with a good name: to be a well-favored man is the gift of fortune; but to write and read comes by nature.&quot; , with production detail: &quot;H. Bunbury Esqr. delt.&quot;, &quot;R.M.Meadows Sculpt.&quot; and publication line: &quot;London, Publish&#39;d Jany. 1st. 1793, by Thos. Macklin, Poets Gallery, Fleet Street.&quot;<\/inscriptions>      <description>A gang of men with staffs standing in a street, one standing apart at left, a dog in the foreground and domed building behind; after Bunbury. 1793<\/description>      <schools_styles>British<\/schools_styles>      <techniques>colour<\/techniques>      <techniques>etching<\/techniques>      <techniques>hand-coloured<\/techniques>      <techniques>stipple<\/techniques>      <location>British XVIIIc Unmounted Portfolio<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<\/div>\n<div id='design'>Dogberry has been played by the actors listed below. The data is taken from the &#8216;Designing Shakespeare&#8217; project which focuses on performances in London, UK. Details of the relevant performance are given here, and linked to the full record at the Designing Shakespeare site which usually includes images of the production.<\/p>\n<ul>\n<li>George Raistrick (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11740'>Alexander\/Surrey, Royal Shakespeare Company, April 1991 (7 images)<\/a>)<\/li>\n<li>George Raistrick (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11738'>Alexander\/Surrey, Royal Shakespeare Theatre, April 1990 (7 images)<\/a>)<\/li>\n<li>John Woodvine (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11727'>Barton\/Napier, Royal Shakespeare Company, April 1976 (6 images)<\/a>)<\/li>\n<li>John Woodvine (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11728'>Barton\/Napier, Royal Shakespeare Company, June 1977 (6 images)<\/a>)<\/li>\n<li>Christopher Luscombe (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11745'>Boyd\/Piper, Royal Shakespeare Company, February 1998<\/a>)<\/li>\n<li>Christopher Luscombe (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11743'>Boyd\/Piper, Royal Shakespeare Company, November 1996 (8 images)<\/a>)<\/li>\n<li>Bernard Bresslaw (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11730'>Conville\/Goodchild, New Shakespeare Company, July 1980<\/a>)<\/li>\n<li>Bernard Bresslaw (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11722'>Conville\/Surrey, New Shakespeare Company, July 1970 (3 images)<\/a>)<\/li>\n<li>Alun Armstrong (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11729'>Davies\/Dyer, Royal Shakespeare Company, January 1980<\/a>)<\/li>\n<li>David Lloyd Meredith (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11736'>Dench\/Tiramani, Renaissance Theatre Company, August 1988 (3 images)<\/a>)<\/li>\n<li>Derek Hutchinson (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11746'>Donnellan\/Ormerod, Cheek By Jowl, June 1998 (5 images)<\/a>)<\/li>\n<li>Roy Hudd (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11725'>Dunlop\/Toms, Young Vic, December 1973<\/a>)<\/li>\n<li>Jimmy Thompson (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11726'>Dunlop\/Toms, Young Vic, June 1974<\/a>)<\/li>\n<li>Peter Woodthorpe (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11723'>Eyre\/Voytek, Royal Shakespeare Company, December 1971 (2 images)<\/a>)<\/li>\n<li>Peter Woodthorpe (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11724'>Eyre\/Voytek, Royal Shakespeare Company, May 1971 (4 images)<\/a>)<\/li>\n<li>Brian Glover (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11732'>Gill\/Chitty, National Theatre, August 1981 (12 images)<\/a>)<\/li>\n<li>Terry Wood (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11733'>Hands\/Koltai, Royal Shakespeare Company, April 1982 (7 images)<\/a>)<\/li>\n<li>Chrisopher Benjamin (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11734'>Hands\/Koltai, Royal Shakespeare Company, May 1983 (7 images)<\/a>)<\/li>\n<li>Ian Talbot (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11714'>Kavanaugh\/Surrey, New Shakespeare Company, June 2000 (4 images)<\/a>)<\/li>\n<li>Newton Blick (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11715'>Langham\/Heeley, Royal Shakespeare Company, April 1961 (4 images)<\/a>)<\/li>\n<li>Sean Kempton (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11742'>Menzies-Kitchen, Hysterico Passio, April 1995<\/a>)<\/li>\n<li>Peter Sallis (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11737'>Moshinsky\/Thompson, Triumph Theatre Productions, May 1989 (4 images)<\/a>)<\/li>\n<li>David Waller (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11721'>Nunn\/Morley, Royal Shakespeare Company, July 1969<\/a>)<\/li>\n<li>David Waller (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11720'>Nunn\/Morley, Royal Shakespeare Company, October 1968 (6 images)<\/a>)<\/li>\n<li>Anthony O&#8217;Donnell (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11739'>Posner\/McGowen, New Shakespeare Company, May 1990<\/a>)<\/li>\n<li>Peter Spraggon (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11731'>Talbot\/Goodchild, New Shakespeare Company, June 1981<\/a>)<\/li>\n<li>David Waller (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11735'>Trevis\/Thompson, Royal Shakespeare Company, April 1988 (7 images)<\/a>)<\/li>\n<li>Gerard Kelly (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11741'>Warchus\/Warmington, Hysterico Passio, July 1993 (5 images)<\/a>)<\/li>\n<li>Michael Blakemore (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11716'>William\/Bardon, New Shakespeare Company, June 1963<\/a>)<\/li>\n<li>Frank Finlay (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11718'>Zeffirelli\/Zeffirelli, National Theatre, August 1966<\/a>)<\/li>\n<li>Frank Finlay (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11717'>Zeffirelli\/Zeffirelli, National Theatre, February 1965<\/a>)<\/li>\n<li>Frank Finlay (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11719'>Zeffirelli\/Zeffirelli, National Theatre, March 1967<\/a>)<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The following resources have been found for this character in the Will&#8217;s World Registry Title: Illustrations to Shakespeare (Click to view)Description: Inscription Content: Lettered with reference to play, artist&#39;s name, and publication line &quot;London Published by Wm S Orr &amp; Co April 1845&quot; Much ado about Nothing, Act 3 Scene 3: Dogberry and the Watch. [&hellip;]<\/p>\n","protected":false},"author":36,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-3285","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages\/3285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/comments?post=3285"}],"version-history":[{"count":0,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages\/3285\/revisions"}],"wp:attachment":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/media?parent=3285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}