{"id":3279,"date":"2012-12-12T11:57:49","date_gmt":"2012-12-12T11:57:49","guid":{"rendered":"http:\/\/demonstrators.ostephens.com\/willhack\/claudio\/"},"modified":"2012-12-12T11:57:49","modified_gmt":"2012-12-12T11:57:49","slug":"claudio","status":"publish","type":"page","link":"http:\/\/demonstrators.ostephens.com\/willhack\/claudio\/","title":{"rendered":"Claudio"},"content":{"rendered":"<div id='ww'>\n<p>The following resources have been found for this character in the Will&#8217;s World Registry<\/p>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00777\/AN00777886_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3228248&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <description>Interior of a church where Leonato bewails the seeming death of his daughter Hero, who swoons on the right, with Beatrice, Benedick and the Friar gathered around her in consternation, while Claudio walks away to left with Don Pedro, deserting her at the altar in the belief that she has betrayed him; in a frame; after Ryley; illustration to &#39;Much Ado About Nothing&#39; in Lowndes&#39; edition of Shakespeare&#39;s plays; before letters. 1785<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XVIIIc Unmounted Imp<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN01092\/AN01092454_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3401731&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with letterpress for title.<\/inscriptions>      <description>Scene from &#39;Much Ado About Nothing&#39; (Act II, Scene III); Benedick sitting in an arbour on the right, listening to the conversation among Don Pedro, Claudio and Leonato on the left; illustration to an edition of &#39;Tales from Shakespeare&#39; by Charles Lamb?; after Harvey; later state after image height extended, with title. 1831<\/description>      <schools_styles>British<\/schools_styles>      <techniques>wood-engraving<\/techniques>      <techniques>letterpress<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN01092\/AN01092583_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3400714&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with trace of production detail: &quot;[Jackson Sc]&quot;.<\/inscriptions>      <description>Scene from &#39;Much Ado about Nothing&#39; (Act II, Scene III); Benedick sitting in an arbour on the right, listening to the conversation among Don Pedro, Claudio and Leonato on the left; illustration to &#39;Tales from Shakespeare&#39; by Charles Lamb (London: 1831, Baldwin and Cradock, page 49); after Harvey; proof with artist&#39;s name. 1831<\/description>      <schools_styles>British<\/schools_styles>      <techniques>wood-engraving<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3455729&#038;partid=1\">print \/ book-illustration<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <description>Scene from Much Ado About Nothing (Act II, Scene I), &quot;Count, take of me my daughter [&#8230;]&quot;; Leonato presenting Beatrice to Claudio, surrounded by further figures; illustration to Singer&#39;s edition of the &#39;Dramatic Works of Shakspeare&#39; (London: 1826, Charles Whittingham, vol. II); proof. 1826<\/description>      <schools_styles>British<\/schools_styles>      <techniques>wood-engraving<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00777\/AN00777885_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3228245&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below the image with a quotation: &#39;Leonate. \/ O Fate! take not away thy heavy hand.&#39; and &#39;Ryley invent. \/ Angus sculp. \/ Published Decr. 21. 1785, by W. Lowndes.&#39;; above the image &#39;Much Ado About Nothing \/ Act 4. \/ Scene 1.&#39;.<\/inscriptions>      <description>Interior of a church where Leonato bewails the seeming death of his daughter Hero, who swoons on the right, with Beatrice, Benedick and the Friar gathered around her in consternation, while Claudio walks away to left with Don Pedro, deserting her at the altar in the belief that she has betrayed him; in a frame; after Ryley; illustration to &#39;Much Ado About Nothing&#39; in Lowndes&#39; edition of Shakespeare&#39;s plays. 1785<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XVIIIc Unmounted Imp<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00549\/AN00549387_001_m.jpg\" alt=\"Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3041790&#038;partid=1\">Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image: &quot;Shakspeare&quot;, with title and lines from the play, production detail: &quot;Painted by Wm. Hamilton&quot;, &quot;Engrav&#39;d by Milton &amp; Testolini&quot; and publication line: &quot;Publish&#39;d March 1; 1791, by John &amp; Josiah Boydell, at the Shakespeare Galley Pall Mall No. 90 Cheapside&quot;<\/inscriptions>      <description>Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on. 1791<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British Masters Portfolio<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00549\/AN00549389_001_m.jpg\" alt=\"Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3041787&#038;partid=1\">Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with &quot;Shakspeare&quot; and production detail: &quot;Painted by Hamilton&quot;, &quot;Aqua fortis by Milton&quot; and publication line: &quot;Publish&#39;d by John &amp; Josiah Boydell, Cheapside &amp; at the Shakespeare Gallery Pall Mall&quot;<\/inscriptions>      <description>Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on; proof before all letters. 1791<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British Masters Portfolio<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3107078&#038;partid=1\">Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below the image with the title, reference, quotation:&quot;Shakspeare \/ Leon. Hath no man&#39;s dagger here a point for me? &#8230; John. Come let us go: these things, come thus to light, Smother her spirits up.&quot;, and &quot;William Hamilton Pinxit. \/ Published June 4th. 1790, by John &amp; Josiah Boydell, at the Shakspeare Gallery, Pall Mall, &amp; at No. 90 Cheapside London. \/ Engraved by Peter Simon.&quot;.<\/inscriptions>      <description>Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on. 1789<\/description>      <schools_styles>British<\/schools_styles>      <techniques>stipple<\/techniques>      <location>British XVIIIc Unmounted Portfolio<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00147\/AN00147386_001_m.jpg\" alt=\"Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=1599812&#038;partid=1\">Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below the image in open letters &quot;Shakspeare&quot;, and &quot;W. Hamilton Pinxit. Aqua fortis Publish&#39;d June 1st. 1789, by Jno. &amp; Josh. Boydell, at the Shakspeare Gallery, Pall Mall, &amp; in Cheapside London. Peter Simon Sculpsit.&quot;.<\/inscriptions>      <description>Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on; late etched state, no half-tone in patch of stone behind Beatrice. 1789<\/description>      <schools_styles>British<\/schools_styles>      <techniques>stipple<\/techniques>      <location>British Printmakers XVIIIc Plan Press<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3465103&#038;partid=1\">print \/ book-illustration<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with production detail: &quot;F. Stephanoff, delt&quot;, &quot;J. H. Watt, sct.&quot;<\/inscriptions>      <description>Hero unmasks before Claudio who takes her hand for marriage, Friar Francis behind on the right, Beatrice sitting on bench to the left; after Stephanoff; illustration to Shakespeare&#39;s &#39;Much Ado About Nothing&#39; (Act V Scene IV) in unidentified publication by Hurst, Robinson &amp; Co in 1827. 1827<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<\/div>\n<div id='design'>Claudio has been played by the actors listed below. The data is taken from the &#8216;Designing Shakespeare&#8217; project which focuses on performances in London, UK. Details of the relevant performance are given here, and linked to the full record at the Designing Shakespeare site which usually includes images of the production.<\/p>\n<ul>\n<li>David Horovitch (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11040'>Miller\/Robertson, Greenwich Theatre, July 1975 (7 images)<\/a>)<\/li>\n<li>Martin Boddey (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11214'>Olivier\/Kenny, National Theatre, October 1963<\/a>)<\/li>\n<li>Liam Hourican (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11394'>Rylance\/Tiramani,Shakespeare&#8217;s Globe, May 1999 (4 images)<\/a>)<\/li>\n<li>Ben Kingsley (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11548'>Barton\/O&#8217;Brien, Royal Shakespeare Company, April 1970 (5 images)<\/a>)<\/li>\n<li>Ian Holm (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11546'>Blatchley\/Bury, Royal Shakespeare Company, April 1962 (6 images)<\/a>)<\/li>\n<li>Stephen Kennedy (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11573'>Boyd\/Piper, Royal Shakespeare Company, April 1998 (8 images)<\/a>)<\/li>\n<li>Stephen Kennedy (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11575'>Boyd\/Piper, Royal Shakespeare Company, January 1999<\/a>)<\/li>\n<li>Oscar Pearce (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11574'>Braunschweig, Nottingham Playhouse, May 1998<\/a>)<\/li>\n<li>William Lindsay (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11551'>Burge\/Archer, National Theatre, April 1977<\/a>)<\/li>\n<li>David Jarvis (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11567'>Company\/Bennett, What You Will, March 1993<\/a>)<\/li>\n<li>Danny Sapiani (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11569'>Donnellan\/Ormerod, Cheek By Jowl, May 1994 (4 images)<\/a>)<\/li>\n<li>James Kerry (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11547'>Elliott\/Pride, Old Vic, April 1963<\/a>)<\/li>\n<li>Paul Jones (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11555'>Gill\/Chitty, Riverside Studios, May 1979<\/a>)<\/li>\n<li>Malcolm Tierney (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11550'>Hack\/Bjornson, Royal Shakespeare Company, September 1974 (5 images)<\/a>)<\/li>\n<li>Hakeem Kae-Kazim (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11560'>Hytner\/Thompson, Royal Shakespeare Company, November 1987 (5 images)<\/a>)<\/li>\n<li>Hakeem Kae-Kazeem (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11562'>Hytner\/Thompson, Royal Shakespeare Company, October 1988 (4 images)<\/a>)<\/li>\n<li>Allan Hendrick (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11553'>Kyle\/Morley, Royal Shakespeare Company, June 1978 (7 images)<\/a>)<\/li>\n<li>Allan Hendrick (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11554'>Kyle\/Morley, Royal Shakespeare Company, November 1979 (7 images)<\/a>)<\/li>\n<li>Brian Gwaspari (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=16017'>Marowitz\/Don, Open Space, August 1975<\/a>)<\/li>\n<li>David Horovitch (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=16015'>Miller\/Culshaw, Greenwich Theatre, July 1975<\/a>)<\/li>\n<li>David Bradley (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11549'>Miller\/Culshaw, National Theatre, January 1974<\/a>)<\/li>\n<li>John Nolan (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11558'>Noble\/Crowley, Royal Shakespeare Company, April 1984 (5 images)<\/a>)<\/li>\n<li>Paul Mooney (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11557'>Noble\/Crowley, Royal Shakespeare Company, October 1983 (8 images)<\/a>)<\/li>\n<li>Jason Durr (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11566'>Nunn\/Bjornson, Royal Shakespeare Company, March 1992<\/a>)<\/li>\n<li>Jason Durr (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11565'>Nunn\/Bjornson, Royal Shakespeare Company, September 1991 (7 images)<\/a>)<\/li>\n<li>Toby Stephens (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11570'>Pimlott\/Martin-Davies, Royal Shakespeare Company, June 1995<\/a>)<\/li>\n<li>Toby Stephens (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11568'>Pimlott\/Martin-Davies, Royal Shakespeare Company, October 1994 (7 images)<\/a>)<\/li>\n<li>Troy Foster (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11556'>Rudman\/Diss, National Theatre, April 1981 (6 images)<\/a>)<\/li>\n<li>David Horovitch (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11552'>Taylor\/Bloomfield, St Georges, June 1977<\/a>)<\/li>\n<li>Andy Readman (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11559'>Thacker\/Keegan, Young Vic, May 1985 (4 images)<\/a>)<\/li>\n<li>Vincenzo Ricotta (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11561'>Thacker\/Murchison, Young Vic, May 1987 (3 images)<\/a>)<\/li>\n<li>Clive Owen (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11564'>Thacker\/Thompson, Young Vic, April 1989<\/a>)<\/li>\n<li>John McAndrew (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11740'>Alexander\/Surrey, Royal Shakespeare Company, April 1991 (7 images)<\/a>)<\/li>\n<li>John McAndrew (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11738'>Alexander\/Surrey, Royal Shakespeare Theatre, April 1990 (7 images)<\/a>)<\/li>\n<li>Richard Durden (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11727'>Barton\/Napier, Royal Shakespeare Company, April 1976 (6 images)<\/a>)<\/li>\n<li>Richard Durden (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11728'>Barton\/Napier, Royal Shakespeare Company, June 1977 (6 images)<\/a>)<\/li>\n<li>Rhashan Stone (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11745'>Boyd\/Piper, Royal Shakespeare Company, February 1998<\/a>)<\/li>\n<li>Rhashan Stone (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11743'>Boyd\/Piper, Royal Shakespeare Company, November 1996 (8 images)<\/a>)<\/li>\n<li>Andrew Seear (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11730'>Conville\/Goodchild, New Shakespeare Company, July 1980<\/a>)<\/li>\n<li>Hugh Ross (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11722'>Conville\/Surrey, New Shakespeare Company, July 1970 (3 images)<\/a>)<\/li>\n<li>Hugh Fraser (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11729'>Davies\/Dyer, Royal Shakespeare Company, January 1980<\/a>)<\/li>\n<li>James Larkin (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11736'>Dench\/Tiramani, Renaissance Theatre Company, August 1988 (3 images)<\/a>)<\/li>\n<li>Bohdan Poraj (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11746'>Donnellan\/Ormerod, Cheek By Jowl, June 1998 (5 images)<\/a>)<\/li>\n<li>Ian Charleston (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11725'>Dunlop\/Toms, Young Vic, December 1973<\/a>)<\/li>\n<li>Jimmy Thompson (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11726'>Dunlop\/Toms, Young Vic, June 1974<\/a>)<\/li>\n<li>Roger Rees (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11723'>Eyre\/Voytek, Royal Shakespeare Company, December 1971 (2 images)<\/a>)<\/li>\n<li>Roger Rees (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11724'>Eyre\/Voytek, Royal Shakespeare Company, May 1971 (4 images)<\/a>)<\/li>\n<li>Tim Woodward (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11732'>Gill\/Chitty, National Theatre, August 1981 (12 images)<\/a>)<\/li>\n<li>Robert O&#8217;Mahoney (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11733'>Hands\/Koltai, Royal Shakespeare Company, April 1982 (7 images)<\/a>)<\/li>\n<li>Robert O&#8217;Mahoney (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11734'>Hands\/Koltai, Royal Shakespeare Company, May 1983 (7 images)<\/a>)<\/li>\n<li>Tam Williams (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11714'>Kavanaugh\/Surrey, New Shakespeare Company, June 2000 (4 images)<\/a>)<\/li>\n<li>Barry Warren (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11715'>Langham\/Heeley, Royal Shakespeare Company, April 1961 (4 images)<\/a>)<\/li>\n<li>Sean Kempton (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11742'>Menzies-Kitchen, Hysterico Passio, April 1995<\/a>)<\/li>\n<li>Philip Franks (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11737'>Moshinsky\/Thompson, Triumph Theatre Productions, May 1989 (4 images)<\/a>)<\/li>\n<li>Bernard Lloyd (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11721'>Nunn\/Morley, Royal Shakespeare Company, July 1969<\/a>)<\/li>\n<li>Bernard Lloyd (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11720'>Nunn\/Morley, Royal Shakespeare Company, October 1968 (6 images)<\/a>)<\/li>\n<li>Martin Clunes (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11739'>Posner\/McGowen, New Shakespeare Company, May 1990<\/a>)<\/li>\n<li>Christopher Baines (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11731'>Talbot\/Goodchild, New Shakespeare Company, June 1981<\/a>)<\/li>\n<li>Ralph Fiennes (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11735'>Trevis\/Thompson, Royal Shakespeare Company, April 1988 (7 images)<\/a>)<\/li>\n<li>David Morrissey (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11741'>Warchus\/Warmington, Hysterico Passio, July 1993 (5 images)<\/a>)<\/li>\n<li>Bernard Lloyd (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11716'>William\/Bardon, New Shakespeare Company, June 1963<\/a>)<\/li>\n<li>Robert Stephens (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11718'>Zeffirelli\/Zeffirelli, National Theatre, August 1966<\/a>)<\/li>\n<li>Ian McKellen (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11717'>Zeffirelli\/Zeffirelli, National Theatre, February 1965<\/a>)<\/li>\n<li>Robert Stephens (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11719'>Zeffirelli\/Zeffirelli, National Theatre, March 1967<\/a>)<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The following resources have been found for this character in the Will&#8217;s World Registry Title: Much Ado About Nothing (Click to view)Description: Interior of a church where Leonato bewails the seeming death of his daughter Hero, who swoons on the right, with Beatrice, Benedick and the Friar gathered around her in consternation, while Claudio walks [&hellip;]<\/p>\n","protected":false},"author":36,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-3279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages\/3279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/comments?post=3279"}],"version-history":[{"count":0,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages\/3279\/revisions"}],"wp:attachment":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/media?parent=3279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}