{"id":3277,"date":"2012-12-12T11:57:42","date_gmt":"2012-12-12T11:57:42","guid":{"rendered":"http:\/\/demonstrators.ostephens.com\/willhack\/hero\/"},"modified":"2012-12-12T11:57:42","modified_gmt":"2012-12-12T11:57:42","slug":"hero","status":"publish","type":"page","link":"http:\/\/demonstrators.ostephens.com\/willhack\/hero\/","title":{"rendered":"Hero"},"content":{"rendered":"<div id='ww'>\n<p>The following resources have been found for this character in the Will&#8217;s World Registry<\/p>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00815\/AN00815539_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3263408&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered in a plaque above the image &#39;Shakspeare&#39;; in a plaque below &#39;Much Ado About Nothing.&#39;; below the image &#39;P.J. Loutherbourg invt. \/ Collyer sculpt. \/ Printed for J. Bell, British Library, Strand, London; Novr. 16th. 1784.&#39;.<\/inscriptions>      <description>Illustration from Bell&#39;s British Theatre; Hero swooning to right, into the arms of Beatrice and Benedick, gesturing weakly towards her father Leonato, who storms forward angrily, while the friar moves to restrain him; in a roundel with theatrical emblems and a plaque above, another plaque below; state before quotation. 1784<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XVIIIc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3295866&#038;partid=1\">photograph<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <description>Beatrice eavesdropping on Hero and Ursula; she stands in the left foreground of a garden and hides behind a arbour; on the right, Hero and Ursula, aware of Beatrice&#39;s presence, glance at the young woman; a scene from Shakespeare&#39;s &#39;Much Ado about Nothing&#39;, after Schmitz<\/description>      <schools_styles>German<\/schools_styles>      <techniques>photographic process<\/techniques>      <location>German Masters Portfolio<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00815\/AN00815537_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3263415&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <description>Illustration from Bell&#39;s British Theatre; Hero swooning to right, into the arms of Beatrice and Benedick, gesturing weakly towards her father Leonato, who storms forward angrily, while the friar moves to restrain him; in a roundel with theatrical emblems and a plaque above, another plaque below; unfinished proof before letters. 1784<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XVIIIc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00777\/AN00777886_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3228248&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <description>Interior of a church where Leonato bewails the seeming death of his daughter Hero, who swoons on the right, with Beatrice, Benedick and the Friar gathered around her in consternation, while Claudio walks away to left with Don Pedro, deserting her at the altar in the belief that she has betrayed him; in a frame; after Ryley; illustration to &#39;Much Ado About Nothing&#39; in Lowndes&#39; edition of Shakespeare&#39;s plays; before letters. 1785<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XVIIIc Unmounted Imp<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3448575&#038;partid=1\">print \/ book-illustration<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image in scratched letters with artists&#39; names: &#39;Stothard \/ Simmons f&#39;<\/inscriptions>      <description>Scene in Leonato&#39;s garden, with Beatrice hiding behind a trellis at left, listening to the conversation between Hero and Ursula; illustration to Shakespeare&#39;s &#39;Much Ado About Nothing&#39;, Act III Scene 1; after Thomas Stothard; cratched letter state, with artists&#39; names only.<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3456628&#038;partid=1\">title-page \/ print<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with production detail: &quot;W. Harvey del. Thompson sc.&quot;<\/inscriptions>      <description>Scene from &#39;Much Ado About Nothing&#39; (Act III, Scene IV); Margaret and Beatrice dressing Hero, all looking to the left; title-page to a diamond edition of &#39;Dramatic Works of Shakspeare&#39; (London: c.1826, Chiswick Press, vol. II); proof.<\/description>      <schools_styles>British<\/schools_styles>      <techniques>wood-engraving<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00777\/AN00777885_001_m.jpg\" alt=\"Much Ado About Nothing\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3228245&#038;partid=1\">Much Ado About Nothing<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below the image with a quotation: &#39;Leonate. \/ O Fate! take not away thy heavy hand.&#39; and &#39;Ryley invent. \/ Angus sculp. \/ Published Decr. 21. 1785, by W. Lowndes.&#39;; above the image &#39;Much Ado About Nothing \/ Act 4. \/ Scene 1.&#39;.<\/inscriptions>      <description>Interior of a church where Leonato bewails the seeming death of his daughter Hero, who swoons on the right, with Beatrice, Benedick and the Friar gathered around her in consternation, while Claudio walks away to left with Don Pedro, deserting her at the altar in the belief that she has betrayed him; in a frame; after Ryley; illustration to &#39;Much Ado About Nothing&#39; in Lowndes&#39; edition of Shakespeare&#39;s plays. 1785<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British XVIIIc Unmounted Imp<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00549\/AN00549387_001_m.jpg\" alt=\"Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3041790&#038;partid=1\">Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image: &quot;Shakspeare&quot;, with title and lines from the play, production detail: &quot;Painted by Wm. Hamilton&quot;, &quot;Engrav&#39;d by Milton &amp; Testolini&quot; and publication line: &quot;Publish&#39;d March 1; 1791, by John &amp; Josiah Boydell, at the Shakespeare Galley Pall Mall No. 90 Cheapside&quot;<\/inscriptions>      <description>Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on. 1791<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British Masters Portfolio<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN01000\/AN01000328_001_m.jpg\" alt=\"print \/ book-illustration\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3363510&#038;partid=1\">print \/ book-illustration<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with artists&#39; names: &quot;W. Peters, R.A.&quot;, &quot;Augt. Fox sc.&quot;<\/inscriptions>      <description>Vignette of Hero and Ursula walking arm in arm in a garden beside a wall with a classical urn on top of it, talking about how Benedict loves Beatrice, for the benefit of Beatrice who peeps out from behind trees on the right, eaves-dropping on their conversation; after Peters; scene from Shakespeare&#39;s &#39;Much Ado About Nothing&#39; (Act III, Scene 1); illustration to William Pickering&#39;s &#39;The Comedies, Histories and Tragedies of Shakespeare&#39; (1831, p.87). 1831<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <location>British XIXc Unmounted Roy<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<div id='resource'><img decoding=\"async\" src=\"http:\/\/www.britishmuseum.org\/collectionimages\/AN00549\/AN00549389_001_m.jpg\" alt=\"Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery\" align=\"left\"><\/p>\n<p><strong>Title<\/strong>: <a href=\"http:\/\/www.britishmuseum.org\/research\/search_the_collection_database\/search_object_details.aspx?objectid=3041787&#038;partid=1\">Much Ado About Nothing, Act IV, Scene I \/ Shakespeare Gallery<\/a> (Click to view)<br \/><strong>Description<\/strong>:       <inscriptions>Inscription Content: Lettered below image with &quot;Shakspeare&quot; and production detail: &quot;Painted by Hamilton&quot;, &quot;Aqua fortis by Milton&quot; and publication line: &quot;Publish&#39;d by John &amp; Josiah Boydell, Cheapside &amp; at the Shakespeare Gallery Pall Mall&quot;<\/inscriptions>      <description>Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on; proof before all letters. 1791<\/description>      <schools_styles>British<\/schools_styles>      <techniques>engraving<\/techniques>      <techniques>etching<\/techniques>      <location>British Masters Portfolio<\/location>      <department>Prints &#038; Drawings<\/department>    <br \/>(credits: The British Museum)<\/p>\n<\/div>\n<\/div>\n<div id='design'>Hero has been played by the actors listed below. The data is taken from the &#8216;Designing Shakespeare&#8217; project which focuses on performances in London, UK. Details of the relevant performance are given here, and linked to the full record at the Designing Shakespeare site which usually includes images of the production.<\/p>\n<ul>\n<li>Alex Kingston (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11740'>Alexander\/Surrey, Royal Shakespeare Company, April 1991 (7 images)<\/a>)<\/li>\n<li>Alex Kingston (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11738'>Alexander\/Surrey, Royal Shakespeare Theatre, April 1990 (7 images)<\/a>)<\/li>\n<li>Cherie Lunghi (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11727'>Barton\/Napier, Royal Shakespeare Company, April 1976 (6 images)<\/a>)<\/li>\n<li>Cherie Lunghi (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11728'>Barton\/Napier, Royal Shakespeare Company, June 1977 (6 images)<\/a>)<\/li>\n<li>Emily Bruni (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11745'>Boyd\/Piper, Royal Shakespeare Company, February 1998<\/a>)<\/li>\n<li>Emily Bruni (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11743'>Boyd\/Piper, Royal Shakespeare Company, November 1996 (8 images)<\/a>)<\/li>\n<li>Moira Brooker (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11730'>Conville\/Goodchild, New Shakespeare Company, July 1980<\/a>)<\/li>\n<li>Felicity Kendall (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11722'>Conville\/Surrey, New Shakespeare Company, July 1970 (3 images)<\/a>)<\/li>\n<li>Jill Baker (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11729'>Davies\/Dyer, Royal Shakespeare Company, January 1980<\/a>)<\/li>\n<li>Tam Hoskyns (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11736'>Dench\/Tiramani, Renaissance Theatre Company, August 1988 (3 images)<\/a>)<\/li>\n<li>Sarita Choudhury (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11746'>Donnellan\/Ormerod, Cheek By Jowl, June 1998 (5 images)<\/a>)<\/li>\n<li>Tamara Ustinov (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11725'>Dunlop\/Toms, Young Vic, December 1973<\/a>)<\/li>\n<li>Jimmy Thompson (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11726'>Dunlop\/Toms, Young Vic, June 1974<\/a>)<\/li>\n<li>Alison Fiske (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11723'>Eyre\/Voytek, Royal Shakespeare Company, December 1971 (2 images)<\/a>)<\/li>\n<li>Alison Fiske (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11724'>Eyre\/Voytek, Royal Shakespeare Company, May 1971 (4 images)<\/a>)<\/li>\n<li>Caroline Langrishe (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11732'>Gill\/Chitty, National Theatre, August 1981 (12 images)<\/a>)<\/li>\n<li>Joanna Foster (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11733'>Hands\/Koltai, Royal Shakespeare Company, April 1982 (7 images)<\/a>)<\/li>\n<li>Josette Simon (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11733'>Hands\/Koltai, Royal Shakespeare Company, April 1982 (7 images)<\/a>)<\/li>\n<li>Clare Byam Shaw (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11734'>Hands\/Koltai, Royal Shakespeare Company, May 1983 (7 images)<\/a>)<\/li>\n<li>Cathy Finlay (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11734'>Hands\/Koltai, Royal Shakespeare Company, May 1983 (7 images)<\/a>)<\/li>\n<li>Sally Hawkins (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11714'>Kavanaugh\/Surrey, New Shakespeare Company, June 2000 (4 images)<\/a>)<\/li>\n<li>Jill Dixon (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11715'>Langham\/Heeley, Royal Shakespeare Company, April 1961 (4 images)<\/a>)<\/li>\n<li>Karen Ascoe (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11737'>Moshinsky\/Thompson, Triumph Theatre Productions, May 1989 (4 images)<\/a>)<\/li>\n<li>Helen Mirren (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11721'>Nunn\/Morley, Royal Shakespeare Company, July 1969<\/a>)<\/li>\n<li>Helen Mirren (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11720'>Nunn\/Morley, Royal Shakespeare Company, October 1968 (6 images)<\/a>)<\/li>\n<li>Tilly Blackwood (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11739'>Posner\/McGowen, New Shakespeare Company, May 1990<\/a>)<\/li>\n<li>Janet Spencer-Turner (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11731'>Talbot\/Goodchild, New Shakespeare Company, June 1981<\/a>)<\/li>\n<li>Julia Ford (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11735'>Trevis\/Thompson, Royal Shakespeare Company, April 1988 (7 images)<\/a>)<\/li>\n<li>Rachel Joyce (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11741'>Warchus\/Warmington, Hysterico Passio, July 1993 (5 images)<\/a>)<\/li>\n<li>Jill Dixon (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11716'>William\/Bardon, New Shakespeare Company, June 1963<\/a>)<\/li>\n<li>Gerald James (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11718'>Zeffirelli\/Zeffirelli, National Theatre, August 1966<\/a>)<\/li>\n<li>Caroline John (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11717'>Zeffirelli\/Zeffirelli, National Theatre, February 1965<\/a>)<\/li>\n<li>Gerald James (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=11719'>Zeffirelli\/Zeffirelli, National Theatre, March 1967<\/a>)<\/li>\n<li>Andrew Rattenbury (<a href='http:\/\/www.ahds.rhul.ac.uk\/ahdscollections\/docroot\/shakespeare\/performancedetails.do?performanceId=98003'>Nunn\/Gunter, Young Vic, February 1991<\/a>)<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The following resources have been found for this character in the Will&#8217;s World Registry Title: Much Ado About Nothing (Click to view)Description: Inscription Content: Lettered in a plaque above the image &#39;Shakspeare&#39;; in a plaque below &#39;Much Ado About Nothing.&#39;; below the image &#39;P.J. Loutherbourg invt. \/ Collyer sculpt. \/ Printed for J. Bell, British [&hellip;]<\/p>\n","protected":false},"author":36,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-3277","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages\/3277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/comments?post=3277"}],"version-history":[{"count":0,"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/pages\/3277\/revisions"}],"wp:attachment":[{"href":"http:\/\/demonstrators.ostephens.com\/willhack\/wp-json\/wp\/v2\/media?parent=3277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}